SHOT DESIGNER VS SHOTPRO SERIES

STUDIO – BLOCKING IN DEPTH 261 CHAPTER 18: III. STUDIO – APPLICATION OF GENRE CONVENTIONS 255 CHAPTER 17: II. CONTENTS PREFACE v PART I: DIRECTORIAL CONCEPTS 1 CHAPTER 1: DIRECTOR 1 CHAPTER 2: VISUAL CONCEPT 9 CHAPTER 3: CONCEPT OF VISUAL UNITS 23 CHAPTER 4: MANIPULATING FILM TIME 37 CHAPTER 5: CONTROLLING SPACE 43 CHAPTER 6: BLOCKING STRATEGIES 59 CHAPTER 7: MULTIPLE-CHARACTER SCENE 79 CHAPTER 8: DEMYSTIFYING THE 180-DEGREE RULE – CROSSING THE LINE 91 CHAPTER 9: CONCEPT OF CHARACTER PERSPECTIVE 119 CHAPTER 10: CONCEPT OF STORYTELLER’S PERSPECTIVE 187 CHAPTER 11: EMOTIONAL MANIPULATION/ EMOTIONAL DESIGN 193 CHAPTER 12: PSYCHO-PHYSIOLOGICAL REGULARITIES IN LEFT-RIGHT/RIGHT-LEFT ORIENTATION 199 CHAPTER 13: DIRECTORIAL-DRAMATURGICAL ANALYSIS 229 CHAPTER 14: DIRECTOR’S BOOK 237 CHAPTER 15: PREVISUALIZATION 249 PART II: STUDIOS – DIRECTING EXERCISES 253 CHAPTER 16: I. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc.

SHOT DESIGNER VS SHOTPRO SERIES

In the Americas: Vernon Press 1000 N West Street, Suite 1200, Wilmington, Delaware 19801 United States In the rest of the world: Vernon Press C/Sancti Espiritu 17, Malaga, 29006 Spain Series in Cinema and Culture Library of Congress Control Number: 2018933406 ISBN: 978-1-62273-522-8 Product and company names mentioned in this work are the trademarks of their respective owners. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. Studio Harmonious Portrait And Discordant Portrait Part III: Video Assignments Chapter 23: Self-portrait Chapter 24: Video-study Of Character Chapter 25: Video-study Of Place Chapter 26: Photoscript Chapter 27: Video-storyboard One Scene Two Ways Of Approaching Chapter 28: Short Live Action Narrative Film Part IV: Studio Scripts Part V: Quiz, Tests, Charts, Templates Epilogue Photo Album About The Author Index Citation previewĭIRECTING THE NARRATIVE and SHOT DESIGN The Art and Craft of Directing by Lubomir Kocka Series in Cinema and Culture © Lubomir Kocka 2019. Studio Externalizing/physicalizing Inner State Of Mind Of The Character Chapter 22: Vii. Studio Alternation In Storyteller’s Perspective Chapter 21: Vi. Studio – Modeling Character Perspective Chapter 20: V. Studio – Blocking In 360-degree Space Chapter 19: Iv.

Studio – Blocking In Depth Chapter 18: Iii.

Studio – Application Of Genre Conventions Chapter 17: Ii. Character Contemplates The Future Chapter 13: Directorial-dramaturgical Analysis Chapter 14: Director’s Book Chapter 15: Previsualization Part II: Studios – Directing Exercises Chapter 16: I. Distorted Image Chapter 10: Concept Of Storyteller’s Perspective Chapter 11: Emotional Manipulation/emotional Design Chapter 12: Psycho-physiological Regularities In Leftright Right-left Orientation 12.1. Crossing The Line To Cause A Disorienting Effect, Spatial Disorientation, Or Character’s Disorientation Chapter 9: Concept Of Character Perspective 9.1. Crossing The Line By Crossing The Camera Axis 8.11. Crossing The Line By Keeping Both Players In Frame 8.9. Crossing The Line With A Bridge Shot (cutaway Shot) 8.8. Crossing The Line By Shooting An In-between Shot On The Line 8.7. Crossing The Line By Intercutting The Headon Shot And Tail-away Shot 8.6. Crossing The Line With A Neutral Shot – Wide Shot 8.5. Crossing The Line With A Neutral Shot – Nondirectional Shot 8.4. Crossing The Line With A Sight Of Player 8.3. Blocking In 360-degree Space Alternation Of The Screen Direction Chapter 8: Demystifying The 180-degree Rule – Crossing The Line 180-degree Rule 8.2. Challenging The Fourth Wall Alternation Of The Screen Direction 7.5. Challenging The Fourth Wall Fixedness In Screen Direction 7.4. Safety Of Three Walls Alternation Of The Screen Direction 7.3. Safety Of Three Walls Fixedness In Screen Direction 7.2. Integral Shot Chapter 7: Multiple-character Scene 7.1. Planer Staging Chapter 6: Blocking Strategies 6.1. Selective Focus Shallow Depth Of Field 5.2.6. Table of contents : Contents Preface Acknowledgement Prologue About This Book Part I: Directorial Concepts Chapter 1: Director Chapter 2: Visual Concept Chapter 3: Concept Of Visual Units Chapter 4: Manipulating Film Time Chapter 5: Controlling Space 5.1.

Shot designer vs shotpro